Numerous styles have contributed to the mythological allure of the brand. These include the first iconic Asymmetrical frame, immortalized by acclaimed photographer Helmut Newton for Vogue in 1983. Others include extravagant styles designed for renowned fashion designer Claude Montana, or those who were instrumental in defining the iconic looks of Grace Jones, and all the playful creations realized for the pleasure of being disruptive. Many works of art have contributed to shape the aesthetic of the eighties and the nineties through a constant interaction and a deep connection with the cultural fervor, led by a global creative crowd.

The Alain Mikli identity is deeply rooted in art and fashion, with a strong liaison with avant-garde design philosophy. The brand is a perfect match for the creative collective, for people unafraid of expressing a unique personality, and for those who appreciate the value of craftsmanship and exclusive materials.

Dedicated to sight-related causes, Alain Mikli promotes the growth of cultural awareness to make the visual arts more accessible to those with visual impairments.

The affiliation the brand has with art and our particular industry encouraged Mikli to open a window to the visual world for the impaired, enabling them to enjoy a sensory experience of unmatched intensity. This is made possible by the design of tactile interpretations of artworks produced by an innovative 3D-printing technology. It consists of adding layers upon layers of material, to produce an in-relief representation of an image in which every visual element is interpreted in various heights of texture.

The brand first aligned with photographer Yann Arthus-Bertrand to transform his majestic aerial views so that a blind person could experience them. Beginning in 2009, Alain Mikli collaborated for a series of different projects with various museums, including the Centre Pompidou in Paris, the Musée des arts et Métiers and still continue today at the musée du quai Branly – Jacques Chirac.